DeWitt Godfrey Installed
DeWitt Godfrey’s newest piece ‘Paviljoen’ was successfully installed over a three-day period in the third week of July in 2023. It consists of a circle of ascending bands of rolled Corten steel that gather as an assemblage to celebrate the meeting place or “Paviljoen” from our early Dutch Settlers. It could not have happened without assistance from the Lewes Board of Public works and their generosity of staff and equipment at the install. It also could not have happened without the assistance of the Delaware Division of the Arts their grant and the kindness and confidence of Kristin Pleasanton their deputy director.
Paviljoen will evolve over the seasons as the patina of rusting Corten steel takes over the marks left where the welds holding some braces in place were cut off. The piece seems paradoxically lighthearted (especially since its all steel). I seem to relate more to its open circles that its rings, but the connectedness of this poetic structure is where the rhythm comes from and what makes it work so well. It dances to a different tune each time the light changes. When visiting, go not forget to walk inside as instead of bringing things together this central area seems to isolate certain views as you gaze out through the hoops, like the eyeball of a fly, you are the center of various windows. A dozen different vignettes. Since the piece is constructed of open bands of steel it is very difficult to get a good feeling for if from photos as the bulk of it is open space. I highly recommend you visit it in person to form your own opinions.
The project has been under consideration by the City Arts committee for three years. Its original budget of $15,000 skyrocketed because of the failure of the City to secure an adequate pad and having the first one ripped up and redone. This also required the artist to take the work back to New York and make a return trip, with crew, costing an additional $4000. The City reported that is spent $8,200 on two concrete projects but this is unclear as the Friends of Canalfront park received a bill for this work also. So, we have a whopping $27,000 art project on or hands. This was well within our budget when you consider the $5000 grant for the State and the $12,000 dollars the committee had raised privately for just such expenditures.
I urge you to go see it and express your opinions good or bad. That’s the reason we did this.
Dewitt Godfrey ARRIVES. - Installing today at Canalfront Park
And Stalls - Installation of Dewitt Godfrey’s sculpture, slated to take place May 25, has been postponed. Lewes Public Arts Committee officials said the artists’ specifications for the concrete pad were not followed by the contractor and as a result the cement cracked during installation.
In order to make sure the sculpture is installed safely for visitors and the sculpture itself, PAC officials have postponed the installation date until the defective pad can be replaced. Installation is now expected by midsummer. The sculpture will remain in Canalfront Park for an extended run.
Additionally, the earlier-reported title “Gathering” is incorrect. According to the artist, the correct title is “Paviljoen,” which is the Dutch word for pavilion (a nod to Lewes history) and pronounced pa-fo-yoon. The committee is grateful to the artist and his crew for their willingness to do a take two.
Thanks to the Artists below for a great 2022 season
Vivien Collens
After decades of painting, I began making sculpture in 2015. My three-dimensional work thus far is additive, informed by the ideas of Friedrich Froebel, the inventor of kindergarten. Making sculpture recalls the most joyful parts of my childhood: creating erector set structures with my father, and floral centerpieces for my mother's parties
I learned to weld in 2017 at a residency at Salem Art Works . Now I work primarily in welded aluminum, which is brushed, painted or powder coated.
I attempt to imbue my work with the energy which inspires it. In my work I often try to unify my predilections for the structural geometric and the organic, which I see as a metaphor for human interaction with the natural world.
The Squirt series sculptures have looped strips of metal (mostly curved elliptically per their natural tendency) projecting fluidly from the hollow square tubes which I have shaped to contain them. Their exuberant trajectory into space reminds me of a geyser or fountain, but also a tree or flower.
By placing my sculpture in the landscape I attempt to punctuate, activate and compliment the space which frames it.
Rose DeSiano
The obelisk, grand, powerful and African in its origin is adorned with regional archival photos, bringing to the surface and celebrating decades of lost histories of the Lewes peoples.
Armillary Empowerment Spheres (in the park Corner)
A monument honoring the many unsung women of Lewes and their contributions, where luminous, reflective, moveable orbit rings represent an evolving narrative rather than a static historical record.
Note The Lewes African American Heritage Commission collaborated to bring the memories of the African American Community back to Lewes.
Featuring Miss Mary Holmes Jones 5th grade teacher Mr. Fred Thomas Educator and Principal, Miss Julia Davis 1st grade teacher all educators who taught during segregation and influence the paths of many in Lewes. Also Mrs Angelia Mumford.aka Angie Ward is featured to represent one of the first students who integrated Lewes Schools. Please stop by the park to see the others monuments and those who are featured! Miss Angie retuned to her roots to check them out !
Angelia Mumford.
The Lewes Black School House is featured
Kitty Perry —- Miss Elizabeth Lib Stewart is featured
Janet Maull-Martin — Daddy Percy Maull is featured
Robert Wingo — Miss Elsie Wingo is featured as well
Trina Brown-Hicks — Beatrice William aka Sugar Bea and Robinson’s Colliseum…aka Happy Day Club featured
Miss Pearl Maull is featured
The Fish Factory is featured
Miss Thelma Morris is featured
The Lewes Nassau Mens Chorus is featured
St. George AME, St Paul UAME, Friendship Baptist, Ushers of St. George.
We had so many pics we probably could fill the entire park if we could, but could select but a few, we are very pleased with impact of this public art exhibit! …….. Trina Brown-Hicks
Letha Wilson
Letha Wilson’s practice is rooted in material experimentation. She is known for her synthesis of mediums, expanding the visual and physical dimensions of photography and sculpture.
By combining industrial materials such as Corten steel, aluminum, and vinyl with photography, Wilson has developed unique fabrication processes. She prints images depicting the beauty of natural landscapes onto her sculptures, embeds them in the surface of her works, and manipulates them in various unexpected compostions. The sweeping expanse of a desert sunset, grooved rock formations, and verdant palm trees are among images Wilson has taken while travelling in Hawaii, the American West, and Iceland. The natural world is both the subject and content of her work; a metaphor for the role of the landscape in myths of renewal, and possibility.
Wilson’s site-specific works and public projects convey her ideas on a monumental scale, altering the space around them and offering moments of respite in the urban landscape. The outdoor sculptures engage directly with the elements and nature; as patinas form over time due to weather conditions, the natural world will act as a co-creative force on the appearance of these artworks.